Other worldly entities must train star children to
guide humanity to the next stage of evolution
before a catastrophic event destroys Earth, but
their methods differ and time is running out.
Behind The Scenes
This narrative emerged from a dream, a concept I could never have imagined on my own. The inspiration flowed through me like a child grows in its mother. After several drafts, we began
filming. The dreamlike script guided our shooting approach. The enchantment was crafted during the editing process and enhanced with visual effects, complemented by distinctive musical selections. Similar to “Star Wars,” “Gods of the Universe” possesses limitless potential, capable of evolving into an infinite, transformative saga.
After more than six years in the making, the 20-minute film “Gods of the Universe: Rise of the Star Child” has been on a significant journey. The narrative follows two children who find themselves trapped within the bizarre confines of an alien spacecraft, confronting a formidable challenge that pushes them to their limits and beyond.
The film reflects the most challenging period of my life during its creation. As an entertainment news reporter, I was thrust into a metaphorical boxing match with my extended family, ultimately emerging as a heart-centered, resilient creator and a thoughtful sci-fi filmmaker.
This film served as my refuge from profound loss and harsh bandonment. Similar to the children depicted in the story, I experienced the feeling of being an orphan in my homeland of Trinidad and Tobago. The alien characters, Procyon and Capella, represent real entitiy guides in my imagination. They became my support system, mentors, and family, encouraging me to persevere.
The production of this film required more time and resources than expected. It stands as my magnum opus. I express gratitude to the challenges I faced, as they provided the impetus that allowed me to soar with this project. The moment has come to share this work with the world, marking just the beginning of our journey.
GOLD ADDY AWARDS
Best TV Campaign
Best of Television
Best 60 sec TV Spot Best Public Service TV Best TV Program
SILVER ADDY AWARDS
Best 30 sec TV Ad
Best 60 sec TV Spot
BEST DIRECTOR AWARD
“Stop The Bleeding”
Baltimore Women’s Film Festival
Jason Riley is a Director of Photography who functions in both film and television. He had the good fortune in his junior years to learn from many of Trinidad’s industry stalwarts. With immersive work experiences at Miami Digital Film & Production, BBC White City Place and Maine Media Workshops, Jason’s strength is in his ability to observe and draw from the world around.
“The script of GOTU at first read showed to be a very complex and layered undertaking. After having meet with the director Cathy-Mae the layers of GOTU were quickly peeled back for me. As the Director of Photography embracing the exciting art of storytelling, my roll in telling GOTU’s story was clear. Come up with a non intrusive, classic way of framing this film, allowing this exciting story take the lead.”
Gallery